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AFRICAN STEW

Fort Mason's Magic Theatre

September 10 - 27

When an African American woman and a Nigerian man announce their engagement after a swift courtship, their families gather for a meal in Oakland — and what begins as a celebration soon simmers with tension as cultural differences, familial expectations, and questions of identity bubble to the surface. 

Directed by Edris Cooper-Anifowoshe, this poignant exploration of love, class, culture, and the Black Diaspora marks the return of one of LHT’s most acclaimed collaborators in Thompson, whose 2024 The Black Feminist Guide to the Human Body as well as 2019’s Single Black Female were met with critical and popular acclaim.

 

African Stew is an uproarious new world premiere that brings complex relationships to the table.

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Lisa B. Thompson has a remarkable gift for finding humor, heart, and hard truths in the richness and complexity of Black life. African Stew is exactly the kind of play we need right now," says Artistic Director Margo Hall.

 

"This play is hilarious, heartfelt, and full of characters you'll recognize and love. I'm thrilled to bring it to our LHT community—and I'm especially excited to join this incredible cast as Didi, a role that I know is going to be pure joy.

REHEARSAL

CREATIVE TEAM

Playwright: Lisa B. Thompson

​Director: Edris Cooper-Anifowoshe

CAST

Patricia “Trish” Lopez: Carla Gallardo
Titilola “Lola” Ogunde: Jeunée Simon
Diana “Didi” Lawson: Margo Hall
Harold “Harry” Lawson: Ron Chapman
Babatunde “Baba” Ogunde: ShawnJ West
Julie "Jules" Lawson: Sundiata Ayinde
Ken Ogunde: Titus VanHook

Design & Production

Lighting Design: Jenny Bachofer 
Sound Design: Alexis Brooks // Ray Archie 
Scenic Design: Pamela Peniston
Scenic Build: Jamila Ring 
Costume Design: Andre Harrington

Production Manager/ Stage Manager: Taylor Mendez

MEET THE PLAYWRIGHT

"African Stew is a love letter to my family and community,” says playwright Lisa B. Thompson.I hope my new comedy sparks a long overdue and necessary conversation throughout the African diaspora. I believe that humor disarms us and brings us closer to understanding our differences while also acknowledging our commonalities.” 


I want audiences to leave this show full of optimism,” Thompson adds, “and with a newly found curiosity, appreciation and respect for each other's cultures, experiences and histories."

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Lisa B. Thompson’s satirical comedies, poignant dramas, and insightful criticism explode stereotypes about Black life in the US, particularly the experiences of the Black middle class. Her award-winning plays Single Black Female, Underground, Monroe, The Mamalogues and The Black Feminist Guide to the Human Body have been produced Off-Broadway, throughout the US, and internationally. Thompson’s creative and scholarly work has received support from institutions such as Hedgebrook, MacDowell, Millay Arts, National Performance Network, Center for the Study of Race and Democracy, Clayman Institute for Gender Research, American Council of Learned Societies, W. E. B. DuBois Research Institute at the Hutchins Center, Fusebox Festival, and Texas Performing Arts. Her publications include Beyond the Black Lady: Sexuality and the New African American Middle Class as well as articles in Theatre Journal, Criterion Collection, Journal of American Drama, NPR, Theatre Survey, and The Washington Post. Thompson also co-hosts and co-produces Black Austin Matters, an NPR podcast that explores Black life, culture, and politics in Central Texas. The San Francisco native currently serves as the Bobby and Sherri Patton Endowed Professor of African and African Diaspora Studies and the interim associate dean of graduate education and academic affairs for the College of Fine Arts at the University of Texas at Austin.

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